{"id":453,"date":"2020-10-21T07:50:40","date_gmt":"2020-10-21T07:50:40","guid":{"rendered":"http:\/\/carmenibarra.com\/?page_id=453"},"modified":"2026-08-22T15:04:38","modified_gmt":"2026-08-22T15:04:38","slug":"cv","status":"publish","type":"page","link":"https:\/\/carmenibarra.com\/en\/cv","title":{"rendered":"About me"},"content":{"rendered":"<p class=\"has-text-align-right\"><em>As a child, drawing allowed me to express and live my dreams. Drawing was like traveling to another world; a pen and plenty of paper were all I needed to be happy\u2026&nbsp; <\/em><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"http:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-1024x1024.jpg\" alt=\"\" class=\"wp-image-3315\" srcset=\"https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-1024x1024.jpg 1024w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-300x300.jpg 300w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-150x150.jpg 150w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-768x767.jpg 768w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-1536x1534.jpg 1536w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-2048x2045.jpg 2048w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-640x640.jpg 640w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-50x50.jpg 50w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-600x599.jpg 600w, https:\/\/carmenibarra.com\/wp-content\/uploads\/2023\/02\/fotoyo-100x100.jpg 100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p><br>Over time, that need to create became a<br>artistic quest that has remained constant throughout my life.<br>Two guiding threads run through my work. The first is the search for beauty through oneself<br>Matter: light, color, textures, and forms possess their own language, capable of evoking emotion without<br>the need to resort to figurative representation. The second is paper, a material that has<br>always accompanied, first as a collage element and later as a fundamental support of my<br>paint.<br>My beginnings were linked to abstraction through matter. I experimented with large formats,<br>incorporating papers, pigments, and industrial materials, fascinated by the beauty that emerges when the<br>Elements interact with each other. This research led to my academic work, The Magic of Matter<br>live, directed by Dr. Carmen Grau, and allowed me to delve deeper into the work of artists like Francisco<br>Farreras, one of my great references.<br>Those years were marked by exhibitions, awards, and educational trips. I studied at<br>I attended the Brussels Summit thanks to an Erasmus scholarship and furthered my studies at the National University<br>Autonomous University of Mexico. In 2001 I received the First Prize for Painting from the Royal Academy of Fine Arts of<br>San Carlos.<br>Later, motherhood transformed my way of working. The formats became more intimate, and I found<br>In watercolor, one essential medium is water, color, and paper. Since then, my painting has sought not only beauty.<br>and emotion, but also to give voice to a female perspective on the environment and to demand a fairer place<br>for women in our society.<br>Over the years, painting naturally led me to teaching. Sharing watercolor has<br>It has become an essential part of my work. In my workshops, I don&#039;t just teach: I sit down and paint.<br>Together with my students, sharing processes, doubts, findings, and discoveries. Each session<br>It becomes a space for exchange where learning flows in both directions. I understand the<br>Teaching as a territory of shared research in which each person contributes a unique perspective<br>which also enriches my own artistic practice.<br>For me, there is no clear boundary between art and life. I paint every day: in the studio with my students,<br>During trips, walks, or any moment that invites you to stop and observe. The notebooks of<br>My notes always accompany me, and in them I collect impressions, colors, atmospheres, and small scenes<br>everyday things. Painting doesn&#039;t occupy a separate space in my life; it&#039;s part of how I inhabit it.<br>daily.<br>Painting is my way of looking at the world.<br>Carmen Ibarra<\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p><\/p>\n\n\n\n<p class=\"has-text-align-right\"><em>CARMEN IBARRA<\/em> (Valencia, September 7, 1969)<\/p>\n\n\n\n<p>ACADEMIC TRAINING<\/p>\n\n\n\n<p>2003<\/p>\n\n\n\n<p>DEA Painting Projects Program. Third cycle. Doctorate. Research thesis: \u201cThe magic of living matter\u201d Directed by Dr. Carmen Grau. Polytechnic University of Valencia.<\/p>\n\n\n\n<p>Academic stay at the Postgraduate Program in Visual Arts of San Carlos. National Autonomous University of Mexico.<\/p>\n\n\n\n<p>1999<\/p>\n\n\n\n<p>Bachelor of Fine Arts from the Faculty of Fine Arts of San Carlos. Polytechnic University of Valencia.<\/p>\n\n\n\n<p>1998<\/p>\n\n\n\n<p>Academic Year 97\/98 (5th year) at \u00cacole Superieure des Arts Visuels La Cambre. Brussels. Painting Specialty.(Erasmus)<\/p>\n\n\n\n<p>SCHOLARSHIPS AND AWARDS<\/p>\n\n\n\n<p>2001<\/p>\n\n\n\n<p>First Prize of the II <em>Painting Prize of the Royal Academy of Fine Arts of San Carlos.<\/em> Work in the San Pio V Museum in Valencia.<\/p>\n\n\n\n<p>Second Medal of Honor in the X City of Tudela Painting Prize. Catalogue.<\/p>\n\n\n\n<p>1999<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Talens Grant 98\/99. Work in the Talens Foundation. Barcelona.<\/p>\n\n\n\n<p>1998<\/p>\n\n\n\n<p>Awarded for the Circuit d&#039;Art Jove 98 by the Institut Valenci\u00e0 de la Joventut. IVAJ. Individual catalog. Valencia.<\/p>\n\n\n\n<p>SOLO EXHIBITIONS<\/p>\n\n\n\n<p>2022 <\/p>\n\n\n\n<p>            Modern Falleras on Radio City Valencia.<\/p>\n\n\n\n<p>2021 <\/p>\n\n\n\n<p>            Modern Falleras in Falla Borrull Socors.<\/p>\n\n\n\n<p>2019<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Aigua Viva. Watercolor exhibition at the Quaes Foundation, Valencia.<\/p>\n\n\n\n<p>            Flow Flowers. Christmas exhibition at the Clero7 studio. Ruzafa, Valencia.<\/p>\n\n\n\n<p>            Modern Fallas queens in Avoriaz, Ruzafa, Valencia.<\/p>\n\n\n\n<p>2017<\/p>\n\n\n\n<p>            <em>Carmen Ibarra, abstract paintings. <\/em>Sedano. Benicassim.<\/p>\n\n\n\n<p>2016<\/p>\n\n\n\n<p>            <em>Maps<\/em>. Laland Russafa. Valencia.<\/p>\n\n\n\n<p>2014<\/p>\n\n\n\n<p>            <em>Expo-workshop.<\/em> Intramurs. Valencia.<\/p>\n\n\n\n<p>            <em>Carmen Ibarra Viguer, abstract painting. <\/em>Melchor Zapata Hall, Benicassim.<\/p>\n\n\n\n<p>2013<\/p>\n\n\n\n<p>            <em>Seaflowers<\/em>. Exhibition hall of the tourist office, Oropesa del Mar.<\/p>\n\n\n\n<p>2006<\/p>\n\n\n\n<p>           <em>Carmen Ibarra.<\/em> Imprevisual, Valencia.<\/p>\n\n\n\n<p>2004<\/p>\n\n\n\n<p>          <em>Carmen Ibarra.<\/em> &nbsp;Swiss Group Bank, Zurich.<\/p>\n\n\n\n<p>1999<\/p>\n\n\n\n<p>           <em>Carmen Ibarra.<\/em>&nbsp; Casa del Fester, Benidorm.<\/p>\n\n\n\n<p>           <em>Carmen Ibarra.<\/em> <em>Circuit D&#039;art Jove.<\/em> Houses of culture of: Campello, C\u00e0rcer, Mutxamel, Benidorm, Castell\u00f3 de Rugat, Catarrosa, Bigastro, Godella, Sax, Massamagrell, Almussafes, Alcala de Xivert, Villahermosa del Rio, Poblallarga, Sumacarcer, Alc\u00e0ntara del Xuquer, Algiros, Venta del Moro, Uriel, Benissa, J\u00e9rica, Moncofa, Almassera, Ondara, Altea, Foios, Caudete de las Fuentes and Albal.<\/p>\n\n\n\n<p>GROUP EXHIBITIONS BY SELECTION IN AWARDS<\/p>\n\n\n\n<p>2018<\/p>\n\n\n\n<p>The National Painting Prizes \u201cRoyal Academy of Fine Arts of San Carlos\u201d. Two decades of cultural patronage (Valencia, 2000-2018). City Museum, Valencia. Catalogue.<\/p>\n\n\n\n<p>2002<\/p>\n\n\n\n<p>10th City of Tudela Painting Prize. Painting Exhibition at the Castel Ruiz Centre in Tudela.<\/p>\n\n\n\n<p>Senyera Award. Exhibition at the Royal Museum of the Shipyards, Valencia.<\/p>\n\n\n\n<p>2001<\/p>\n\n\n\n<p><em>Incipit.<\/em> Young Award from the UCM at the National Museum of Anthropology, Madrid.<\/p>\n\n\n\n<p><em>IX City of Tudela Painting Prize. <\/em>Painting Exhibition at the Castel Ruiz Center in Tudela.<\/p>\n\n\n\n<p><em>Drawing Competition of the Ateneo of Seville.<\/em> Collective exhibition in the Vel\u00e1zquez Room of the Exmo. Ateneo of Seville.<\/p>\n\n\n\n<p><em>Second Painting Prize of the Royal Academy of Fine Arts San Carlos<\/em> at the El Corte Ingl\u00e9s department store in Valencia.<\/p>\n\n\n\n<p><em>Miniature Painting Competition<\/em> at the Shoe Museum. Elda.<\/p>\n\n\n\n<p><em>On the prowl<\/em> Young Artist Award from the UCM at the National Museum of Anthropology. Rooms of the Ministry of Culture. Madrid.<\/p>\n\n\n\n<p>2000<\/p>\n\n\n\n<p><em>Benicarl\u00f3 Painting Competition.<\/em> Benicarl\u00f3 Municipal Historical Archaeological Museum.<\/p>\n\n\n\n<p>1999<\/p>\n\n\n\n<p><em>New Talents, Talens Award Selection.<\/em> Group Exhibition at ACEA&#039;S. Promotion of Visual Artists. Barcelona<\/p>\n\n\n\n<p>1997<\/p>\n\n\n\n<p><em>Cevisama.<\/em> Collective Exhibition of Ceramic Designs, at the International Trade Fair. Valencia.<\/p>\n\n\n\n<p>1996.<\/p>\n\n\n\n<p><em>Drawing contest<\/em>. Collective Exhibition at the House of Culture of Alcoi.<\/p>\n\n\n\n<p><em>Painting competition<\/em>. Collective Exhibition at the House of Culture in Paterna.<\/p>\n\n\n\n<p>GROUP EXHIBITIONS AND ARTISTIC EVENTS<\/p>\n\n\n\n<p>2026<\/p>\n\n\n\n<p>Exhibition 6 views towards life, at the Alzira cultural center.<\/p>\n\n\n\n<p>Russafart in Lalambik, Valencia<\/p>\n\n\n\n<p>2024 <\/p>\n\n\n\n<p>There were three of them. Titaguas House of Culture, along with Ana Karina Lema and Keka Catal\u00e1<\/p>\n\n\n\n<p>Russafart in Lalambik<\/p>\n\n\n\n<p>2022<\/p>\n\n\n\n<p>           Women against war(s). Jarit, Russafa.<\/p>\n\n\n\n<p>           Imaginary Constructs between two sees. Bloom Gallery Valencia<\/p>\n\n\n\n<p>           Russafart 2022 in Clergy 11.<\/p>\n\n\n\n<p>2020<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Fleurs et Flots, Carmen Ibarra and Yu-Han Lu. The Maison des Agustines, Versailles.<\/p>\n\n\n\n<p>2019<\/p>\n\n\n\n<p>&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Up to the cunt. International Festival of Erotic Arts. Ruzafa, Valencia.<\/p>\n\n\n\n<p>2022-2008<\/p>\n\n\n\n<p><em>Russafart<\/em>, Valencia.<\/p>\n\n\n\n<p>2017<\/p>\n\n\n\n<p><em>Christmas Market.<\/em> Studio of Bego\u00f1a Zornoza, Valencia.<\/p>\n\n\n\n<p>2016<\/p>\n\n\n\n<p><em>Wanderers. Come and see, Valencia<\/em><\/p>\n\n\n\n<p><em>Fira Xicotet Format<\/em>. Altea.<\/p>\n\n\n\n<p><em>Christmas Fair.<\/em> The Twelve Islands, Valencia.<\/p>\n\n\n\n<p>2015<\/p>\n\n\n\n<p><em>Bowie Tribute<\/em>. L&#039;Arteria. Valencia.<\/p>\n\n\n\n<p>2013<\/p>\n\n\n\n<p><em>Christmas at L&#039;Arteria.<\/em> L&#039;Arteria Gallery. Valencia.<\/p>\n\n\n\n<p><em>Small Format Fair<\/em>. Xam Foundation. Valencia.<\/p>\n\n\n\n<p><em>Workshop by Carmen Ibarra &amp; Erik Lu<\/em>. Ciutat Vella Oberta. Valencia.<\/p>\n\n\n\n<p><em>The Power of Red. International Group Exhibition.<\/em> Obrapropia Cultural Center, Valencia.<\/p>\n\n\n\n<p><em>On Paper.<\/em> <em>Group exhibition of contemporary painting and graphic art. <\/em>Al Marge, Espai d&#039;Art. Javea.<\/p>\n\n\n\n<p><em>Bibliophilia.<\/em> Group art exhibition for World Book Day. Obrapropia Cultural Center. Valencia<\/p>\n\n\n\n<p><em>Extended Art.<\/em> Group exhibition of art on paper. Obrapropia Cultural Center. Valencia<\/p>\n\n\n\n<p>2012<\/p>\n\n\n\n<p><em>Feminine Territory. Beyond Painting.<\/em> Obrapropia Cultural Center. Valencia<\/p>\n\n\n\n<p><em>Extended Art. Paper art fair.<\/em> Obrapropia Cultural Center. Valencia<\/p>\n\n\n\n<p><em>Art Jaen 2012<\/em>. Provincial Museum of Jaen.<\/p>\n\n\n\n<p>2006-2002<\/p>\n\n\n\n<p><em>Fira del Xicotet Format<\/em>, Altea.<\/p>\n\n\n\n<p>2005<\/p>\n\n\n\n<p><em>Foc Expo<\/em>. Leisure and Culture Fair of Moncofa, Castell\u00f3n.<\/p>\n\n\n\n<p><em>Group exhibition<\/em> at Caf\u00e9-Galer\u00eda Imprevisual, Valencia.<\/p>\n\n\n\n<p><em>From shore to shore<\/em> Group exhibition. Ca revolta, Valencia.<\/p>\n\n\n\n<p>2004<\/p>\n\n\n\n<p>Conference: <em>Diving into abstract painting.<\/em> FOC Expo, Moncofa. Castellon.<\/p>\n\n\n\n<p>Conference: <em>The magic of living matter<\/em> at Academia Arte XXI. Valencia.<\/p>\n\n\n\n<p>2003<\/p>\n\n\n\n<p><em>IV International Conference of Women.<\/em> Museum of Modern Art of Cuenca. Ecuador.<\/p>\n\n\n\n<p><em>Mirror, mirror on the wall.<\/em> Josep Renau Room of the Faculty of Fine Arts of Valencia. (catalog)<\/p>\n\n\n\n<p><em>Migrant Day.<\/em> City Museum. Cuernavaca. Mexico.<\/p>\n\n\n\n<p>2002<\/p>\n\n\n\n<p><em>Balcony<\/em>. Altea Town Hall. (catalog)<\/p>\n\n\n\n<p><em>Collective<\/em>. Constipart, Chair.<\/p>\n\n\n\n<p><em>Space-2. <\/em>Painting and installation, with Manu Mu\u00f1oz. Ca revolta, Valencia.<\/p>\n\n\n\n<p>2000<\/p>\n\n\n\n<p><em>Disappearances: Enigma and identity<\/em>. Josep Renau Room of the Faculty of Fine Arts, Valencia.<\/p>\n\n\n\n<p>1998<\/p>\n\n\n\n<p><em>Pro UNICEF <\/em>. CAM Llotgeta. Valencia. Catalog.<\/p>\n\n\n\n<p><em>Paintings<\/em> with Monica Jover. The Temptation, Galician Cultural Center, Brussels.<\/p>\n\n\n\n<p><em>Expo-Erasmus.<\/em> La Cambre Gallery. Brussels.<\/p>\n\n\n\n<p>1996<\/p>\n\n\n\n<p><em>Collective Exhibition of Students from the Faculty of Fine Arts<\/em>. Higher School of Architecture. UPV, Valencia.<\/p>\n\n\n\n<p><em>Collective Exhibition of Students from the Faculty of Fine Arts<\/em>. Valencia Fine Arts Circle.<\/p>","protected":false},"excerpt":{"rendered":"<p>De peque\u00f1a fue gracias al dibujo que pod\u00eda expresar y vivir mis sue\u00f1os. Dibujar era viajar a otro mundo, un bic y mucho papel era&#8230;<\/p>\n<div class=\"more-link-wrapper\"><a class=\"more-link\" href=\"https:\/\/carmenibarra.com\/en\/cv\">Continue Reading<span class=\"screen-reader-text\">About me<\/span><\/a><\/div>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-453","page","type-page","status-publish","hentry","entry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Sobre m\u00ed - CARMEN IBARRA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carmenibarra.com\/en\/cv\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sobre m\u00ed - CARMEN IBARRA\" \/>\n<meta property=\"og:description\" content=\"De peque\u00f1a fue gracias al dibujo que pod\u00eda expresar y vivir mis sue\u00f1os. 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